While nomads do enjoy getting out and exploring our new locales, hiking in nature, and visiting with friends – when travel is a lifestyle, it’s all about finding balance. RVing and boating don't mean giving up Netflix, Hulu, Amazon Prime, or any streaming service - you can still stream video while traveling using mobile internet sources like cellular data, satellite, and public Wi-Fi.
#Fiwi movie movie#
Lamarr herself, who pointedly defined glamour as standing still and looking stupid, understood all too well why no one wanted to hear about her science work – it didn’t fit MGM’s marketing narrative.Bookmark TV & Movie Streaming with Mobile Internet Lamarr’s biggest movie roles, from Samson and Delilah to Ziegfeld Girl, White Cargo and Experiment Perilous, prioritised display over action – her characters, often exoticised in a nod to her European heritage, were beautiful creatures to be looked at, absorbed by the male gaze, and with very little to say. As Lamarr aged, she became a joke – even the ghostwriter of her memoirs turned them into something so “fictional, false, vulgar, scandalous, libelous and obscene” that she sued the publishers. The story disappeared and by 1944, when Motion Picture Magazine referred to Lamarr’s intelligence, it was talking about her “discovering a new headdress”. The National Inventors Council leaked the story to the press, leading the LA Times to call Lamarr a “screen siren and inventor … invention, held secret by the government, is considered of great potential value in the national defense program”. Anything but her invention – despite the fact that it had actually been made public in 1941. Since then the news has spread and she has become an icon of women in science – in comic books, plays and even that modern monument, a Google Doodle.Īll the time that Lamarr was making big films in Hollywood (and missing out on even more, including Casablanca and Gaslight) the press kept writing about her love life (six marriages and six divorces), and her sultry, kittenish looks. It gained more traction when her obituaries were published in 2000. Lamarr’s invention didn’t become widely known until near the end of her life, in the late 1990s. The military took her idea and, as the documentary reveals, eventually used it, but Lamarr was advised that she would make a greater contribution to the war effort as a pinup rather than as an inventor: entertaining troops, pushing war bonds and, as the documentary notes, selling kisses. Lamarr’s patent, filed in 1941, was developed with the American composer George Antheil. It was Lamarr’s brainwave (though some say she may have first seen a sketch of a similar idea in the office of her first husband, the Austrian munitions manufacturer Fritz Mandl) and she developed it together with a friend, the composer George Antheil. Her “secret communication system” used “frequency hopping” to guide radio-controlled missiles underwater in a way that was undetectable by the enemy. Lamarr’s greatest scientific triumph was intended for the US navy during the second world war, but is now used in modern wireless communication. “I don’t have to work on ideas,” she says. In an audio recording used in Bombshell, she discusses her love of science, her failed experiments (effervescent cola tablets) and her successes, including streamlining her lover Howard Hughes’s racing aeroplane. In her trailer between takes, and staying up all night at home, she practised her favourite hobby: inventing.
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The film was banned in the US, but screened illicitly there for years, and no matter how many hits she had at MGM, and despite the studio’s efforts, Lamarr was frequently referred to as the “Ecstasy girl”.Īlthough she achieved international fame as a Hollywood movie star, Lamarr was not satisfied by acting.
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Lamarr herself said that her movements in the love scene were prompted by the director shouting instructions and sticking her with a safety pin, but the effect, in this atmospheric, heavily symbolic and near-silent drama, is remarkably intense. Gustav Machaty’s Ecstasy (1933) starred a teenage Hedy as a frustrated bride who finds fulfilment in an affair with a young man: she appears completely nude and performs what is probably the first on-screen female orgasm. Back in Europe she had made a film that was too hot for MGM’s family-values ethos. He named her after the studio’s silent-era vamp Barbara La Marr – intending that her dark, heavy-lidded beauty should remind people of MGM’s sizzling back catalogue, not her own. The actor, who was born Hedwig Kiesler in Vienna in 1914, was given her new surname by Louis B Mayer when she signed for MGM in 1937.